UNIVERSAL MUSIC THEORY 1
The Practical Fundamentals of Universal Creativity
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
  PART   VII   54  
  THE PROCESS OF CREATING MUSIC      
         
 
Conventional and Modern Mechanisms
of Musical Performance


 
 
 
To­day’s ma­chin­ery of mu­si­cal per­form­ance does not ex­pect this genu­ine, spiri­tual-mu­si­cal, crea­tive unity any­more and there­fore does not at­tempt to achieve it.

 
The Original Creative Unity of Music
 
 
Nev­er­the­less, to­day it is pos­si­ble, more than ever be­fore, to tech­ni­cally real­ize the unity of the com­po­si­tional analy­sis and syn­the­sis to the ex­tent that the lis­tener – by means of the outer acous­tic image – can di­rectly per­ceive it within him­self.

   
 
This suc­cess­ful outer pres­en­ta­tion of the in­ner world of the art of sound is the key of our time to mu­sic – and it is ap­plied most suc­cess­fully in the tech­nol­ogy of the “Dy­namic Space Stereo­phony.”

   
     
     
       
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
     
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Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 1

VII.
SPACE AND TIME
IN MUSIC

The Concept of Space
in Music

The Two Ways of Experiencing Space

Space-Experience in
the Microcosm of Music

Space-Time Integration
in Music

Space-Time Fusion
through the Integration
of the Musical Spaces

The Integrated Play of
Time and Space

The Potential of the
Musician

The Relationship of
Rhythm and Tonality

Field of Cognition -
Enlivened Silence

The Core of Practising
the Art of Music

Conventional and
Modern Mechanisms
of Musical Performance

 

 

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