UNIVERSAL MUSIC THEORY 1
The Practical Fundamentals of Universal Creativity
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
  PART   X   85  
  THE PROCESS OF CREATING MUSIC      
         
 
The Natural Potential of the
True Artist


 
 
 
The mu­si­cal-ar­tis­tic ob­jec­tive origi­nates from the natu­ral po­ten­tial of the art­ist:
  1. to real­ize a truth
  2. to mould a truth into the po­eti­cal form of the ar­tis­tic ex­pres­sion
  3. to make a truth in the po­eti­cal form of the ar­tis­tic ex­pres­sion uni­ver­sally un­der­stand­able
  4. to ex­press a truth mu­si­cally only if its reve­la­tion is de­sired by na­ture; that is, if it is deeply de­sired by man.

   
 
So, the prac­ti­cal mu­si­cian must not only have a deep un­der­stand­ing and make it avail­able to his fel­low men, but he must also know very pre­cisely what his neighbour really needs – not what he su­per­fi­cially wants, i.e. he must first know the cur­rent state of knowl­edge and in­sight of his fel­low man.

 
General Human Insight of the Practical Musician
 
 
If his fel­low man is not liv­ing in­fin­ity with his feel­ing and un­der­stand­ing then the art­ist must first give him the taste of this re­al­ity and in­spire him to con­fi­dently attain un­bounded aware­ness.

 
The Listener's Encounter with Infinity
 
 
If the lis­tener is al­ready es­tab­lished in in­fin­ity, the art­ist must glo­rify the di­ver­sity of life in un­bound­ed­ness for him.

 
The Perfect Music Listener
 
 
In the first case, when the art­ist is obliged to in­spire the lis­tener of lim­ited think­ing for un­bound­ed­ness, the com­po­si­tion must dis­play a continu­ous flow from the bounded to the un­bounded.

 
The Infinite Accomplishment in the Musical Art
 
 
In such a com­po­si­tion the mo­tifs will con­tinu­ally un­fold into melo­dies and will be led sys­tem­ati­cally by the in­fi­nite guid­ance of the melody into un­bounded lively si­lence.

 
The Infinite Process of Perfect Musical Integration
 
 
On their path of life, there­fore, the melo­dies will trans­form into se­quences; and the se­quences even­tu­ally will as­sume the in­fi­nitely mani­fold form of har­mony it­self.

   
 
Thus, in such a com­po­si­tion, the con­crete mu­si­cal sound-space, as we per­ceive it with our in­ner hear­ing, is con­tinu­ously re­fined and trans­formed step by step into the phe­nome­non of our hu­man con­sci­ence.

 
The Musical Path of Human Self-Realization
 
 
Only from here can the com­po­si­tion enli­ven the world of si­lence in the mu­sic lover; and the lis­tener real­izes his own in­ner­most mul­ti­plic­ity, his in­ner­most mani­fold form: he cog­nizes the har­mony it­self.

 
The Cultural Achievement of Music
 
     
     
       
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
     
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Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 1

X.
SCIENTIFIC FUNDAMENTALS OF
MUSIC AESTHETICS

The Image of
Musical Beauty

The Embodiments
of Harmony

Motivation and Responsibility of the
Musician

Reversal of the Reality
of Creating Music

Analysis of the Process
of Creating Music

Music Theory

The Natural Potential
of the True Artist

Synthesis of the
Artistic and Cultural
Achievement of Music

 

 

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