SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
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PART   II
  19  
 
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION
     
         
 
Creating Music
as an Empirical Process of Knowing


   
 
Con­se­quently, cre­at­ing mu­sic may be con­sid­ered em­piri­cal only that the proc­ess of com­pre­hen­sion is pointed within: here, the em­piri­cal com­pre­hen­sion con­cerns the inside and not the out­side.

 
Direct Comprehension of the Absolute Reality of Music
 
 
So, em­piri­cally com­pre­hend­ing the outer mu­si­cal re­al­ity only served to in­spire the lis­tener to em­piri­cally com­pre­hend his own in­ner mu­si­cal re­al­ity; and thus it served to com­pre­hend his own in­ner, per­fect, natu­ral art of mu­sic.

 
The Purpose of Outer Music
 
 
In the proc­ess of crea­tive mu­sic lis­ten­ing, “cre­at­ing some­thing new” is typi­cally a “re-semblance,” a “re-vival,” a “re-call­ing into be­ing,” a “re-cre­at­ing,” a “fun­da­men­tal re­ali­za­tion.”

 
The Ever-Present Hour of Birth of the Music
 
 
Hence, crea­tive mu­sic lis­ten­ing is that mecha­nism where the lis­tener knows how to make the golden tree of mu­sic grow natu­rally and spon­ta­ne­ously out of his own in­ner per­fect ar­tis­tic po­ten­tial, through the forces in­her­ent in his natu­ral mu­si­cal po­ten­tial; and he does so af­ter an out­side stimu­la­tion from the fertile ground of his in­ner­most in­tui­tion: from the fertile ground of his in­ner­most fac­ul­ties of cog­ni­tion. From the height of his pure self-aware­ness, he goes down to the world of his hu­man feel­ing and un­der­stand­ing, and fur­ther down to the world of the mu­si­cal sound-space or as a mu­si­cian even fur­ther down to the acous­tic space.

 
The Golden Tree of the Art of Sound
 
     
     
       
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
     
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Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 2

II.
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION

Empirical Gaining
Knowledge in Music

The Unlimited Course
of Life in Music

The Levels of Gaining
Knowledge in Music

The Process of
Musical Perception

The System of Musical Deduction

The Technique of
Musical Comparison

The Steps of Musical
Cognition

Creating Music as an
Empirical Process
of Knowing

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and Inner Musical
Knowledge

 

 

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UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition