SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
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PART   XII
  116  
 
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH
     
         
 
Absolute Love of Truth in Music


   
 
While con­ven­tional phi­loso­phy – op­er­at­ing on the mean­ing of spo­ken or writ­ten words – at­tempts in a rather indis­creet man­ner to guide man to­wards truth and even, while still on the way to­wards truth, con­tinu­ally tries hard to ensure that it speaks out truth alone, the clas­si­cal com­poser on the path to com­pre­hen­sive truth is not so much con­cerned with de­tail truth.

 
The Path of Knowledge and the Goal of Truth in the System of Scientific Philosophy
 
 
If nec­es­sary, he even em­ploys a white lie to take the lis­tener to­wards truth in the end.

 
The Path of Knowledge and the Goal of Truth in Music
 
 
To the clas­si­cal mu­sic crea­tor, the steps of knowl­edge are but a means to achieve com­plete con­vey­ance of truth, and he at­taches only as much im­por­tance to them as to an intricate way that leads to a great goal.

 

The Philosophical Standpoint of the Musical Creator
 
 
While the sci­en­tific sys­tem of phi­loso­phy – like the other sci­ences, too – per­ma­nently tries to prove truth even on the way to­wards it, the clas­si­cal com­poser takes the seek­ing lis­tener by the hand, leads him through ob­scure spaces, de­scribes to him all kinds of imagi­nary shin­ing ob­jects in these spaces, and con­tin­ues this proc­ess un­til the lis­tener dis­cov­ers these seem­ingly outer spaces and the ob­jects de­scribed therein within him­self, un­til his search for truth has thus found ful­fil­ment.

 
The Adoration of Relative Truth in the System of the Scientific Philosophy

The Absolute Admiration of Truth in Music
 
 
Un­like the sci­en­tific sys­tem of phi­loso­phy and above all, un­like the other sci­ences – par­ticu­larly the natu­ral sci­ences – the true art of tones is not at all con­cerned with outer na­ture which it per­ceives es­sen­tially as a mere re­flec­tion of the in­ner-hu­man na­ture.

 
The Scientific System of Philosophy under the Influence of the Natural Sciences
 
 
There­fore, it sys­tem­ati­cally re­fines the rep­re­sen­ta­tion of the outer as­pect of na­ture – start­ing from ob­jects in the mu­si­cal tone-space – through the sphere of sub­jec­tiv­ity, thus guiding the unaware seeker of truth, the con­scious mu­sic lover, into the world of his own free ful­fil­ment of de­sires – into the world of his hav­ing-reached-the-goal, into the world of his hav­ing-no-longer-to-seek, into the world of his truth, into his world of ful­fil­ment.

 
Conveyance of Knowledge in Music on the Basis of Personal Knowledge of Truth
 
     
     
        
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
     
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UNIVERSAL
MUSIC THEORY 2

XII.
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH

The Path of Knowledge and the Goal of Truth

The Fields of
Knowledge in the Musical Representation

The Musical Way of Cognition to Wisdom and Happiness of Life

Absolute Love of Truth
in Music

 

 

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UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition