For the next logical step to the states of consciousness related to the text please click on the numbers.

The Example of the Composer
in the Cognitive Process in Music

The Perfect Music-World of the Harmony

on the one hand, during the entire process of creating music
6. 10, 11, 9. 14, 15, 16. 26, 27
5. 9, 6. 10, 10. 16, 17, 17. 28, 29
5. 6, 7, 10. 18, 19, 17. 30, 31
4. 4, 5, 11. 20, 21, 18. 32, 33

the composer himself remains
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30
7. 12, 8. 13, 15. 25
4, 6-9, 11, 15-21
6. 11, 7. 12, 8. 13, 9. 14, 15. 25, 16. 26
5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28
1.-3. 3, 11. 21, 12.-14. 22, 18. 33, 19. 34
1.-3. 2, 3, 12.-14. 22, 23, 19.-21. 34, 35
6. 10, 11, 9. 14, 15, 16. 26, 27
5. 9, 6. 10, 10. 16, 17, 17. 28, 29
5. 6, 7, 10. 18, 19, 17. 30, 31
4. 4, 5, 11. 20, 21, 18. 32, 33

in the state of pure self-awareness
7. 12, 8. 13, 15. 25

and does, in this respect, not in the least enter the field of sounding music – he remains in the perfect musical world of the harmony;
6. 10, 11, 9. 14, 15, 16. 26, 27
4, 6-9, 11, 15-21

– on the other hand, the composer
4, 6-9, 11, 15-21
6. 11, 7. 12, 8. 13, 9. 14, 15. 25, 16. 26
5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28
1.-3. 3, 11. 21, 12.-14. 22, 18. 33, 19. 34
1.-3. 2, 3, 12.-14. 22, 23, 19.-21. 34, 35

simultaneously leaves this unlimited world
6. 10, 11, 9. 14, 15, 16. 26, 27
4, 6-9, 11, 15-21

and enters the limited world of the sequences,
5. 9, 6. 10, 10. 16, 17, 17. 28, 29

the motifs,
5. 6, 7, 10. 18, 19, 17. 30, 31

and even the outermost field of the musical sound-space –
4. 4, 5, 11. 20, 21, 18. 32, 33

the material sphere of music.